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Gianlorenzo Bernini
David
(1623)
marble
Rome
-Compare to donatello's david
-shown during action, goliath is somewhere around in our space
-molded from bernini's face
-still classical influence
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Gianlorenzo Bernini,
Rape of Persephone
1621-1622.
Marble
-seems real
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Gianlorenzo Bernini
Apollo and Daphne
1622-1624.
Marble
-Daphine turns into a laurel tree by father (god) when pursued by apollo
-drama changes with angle of the observer
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Gianlorenzo Bernini
Church of Santa Maria Della Vittoria
Rome
1642–1652
-box's on sides, looking at action
-represents saints account accurately
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Gianlorenzo Bernini.
St. Teresa of Ávila in Ecstasy.
1645–1652
-erotic image, based on description
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St. Peter's Basilica
Vatican, Rome.
Carlo Maderno, façade,
1607–1626
-facade of church:
classical: symmetry, columns, pediment
new: square columns, unequal spacing to draw eye to center, profile extends outwards so reaches towards the viewer (crescendo)
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St. Peter's Basilica and Piazza, Vatican, Rome.
Carlo Maderno, façade,
1607–1626;
Gianlorenzo Bernini, piazza design
-massive space
-almost tempe-like due to columns
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Gianlorenzo Bernini
Baldacchino (Baldachin).
1624-1633.
At crossing of St. Peter’s
-needed to make huge space intimate
-directs viewers focus
-top looks like fabric
-over st. peters tomb
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Francesco Borromini
Façade of San Carlo alleQuattro Fontane
(1665-1676)
Rome
Borromini (more volatile)- rival of bermini
-not classical, completely revolutionary design
-wavy quality with classical elements
-not a large church, but a sense of drama is still created
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Francesco Borromini,
San Carlo alleQuattro Fontane
(1665-1667)
Rome
-church based on an oval
-curved surfaces makes the dome appear to be weightless
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Francisco de Zurbarán
Saint Serapion
(1628)
oil on canvas
-tenebrism, common man
-appears dead (limp hands)
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Diego Velázquez
Water Carrier of Seville
(c. 1619)
oil on canvas
Velázquez
-one of most highly regard among proponents of caravaggism
-reconciled intimacy with theatricality
-began to explore secular themes
Water Carrier
-water-showing off realism
-water symbolizes:
-water into wine, water gives life/ quenches thirst, man if quenching thirst for jesus to kid
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