Front | Back |
Anglo-Celtic-American folk music tradition
|
Origins traceable to England, Scotland, and Ierland, storytelling convergence of poetry and music. 3 different types.
|
Iambic Foot
|
A unit made up of 1 unstressed syllable followed by a stressed syllable. Example: Ta-da
|
Ballad Meter (common meter)
|
Stanzas of four lines each in which eight-syllable lines alternate with six-syllable lines
|
Strophic Form
|
A form in which successive stanzas are set to the same music.
|
Stanza
|
A unit of song text or poetry usually consisting of at least 4 lines of verse unified by a regular rhyme scheme and meter.
|
Imported Ballad
|
Little changed from its old-country forms. Example: "Barbara Allen"
|
Native Ballad
|
Still recognizable from its old-country versions but has adopted some trappings of is new cultural surroundings. Example: "Gypsy Davy"
|
Naturalized Ballad
|
New stories indigenous to the United States. Example: "John Hardy"
|
Oral Tradition
|
A tradition that does not sing or play strictly from written music
|
Emotional Core
|
The essence of the story that is passed through almost all versions of the ballads
|
Pentatonic Scale
|
A scale of 5 notes rather than 7 notes.
|
Broadside
|
A single-sheet, cheaply printed version of the words only
|
Songster
|
A small collection of such texts, also cheaply printed for popular sale
|
"rose and brier" motif
|
An idea that after death the plants symbolize a lovers' knot
|
Fiddle
|
An instrument used to provide music to dance to such as in hoedowns.
|