Front | Back |
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Nicola Pisano
Annunciation & Nativity proto-ren. marble relief panel Madonna resembles lid figures on Roman sarcophagi |
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Giovanni Pisano
Annunciation & Nativity proto-ren. marble relief panel compared to father's panel, Giovanni's had more movement |
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Cimabue
Madonna Enthroned proto-ren. tempera and gold leaf on wood one of the first paintings to break away from italo-byzantine style |
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Giotto
Madonna Enthroned Proto-ren. tempera and gold leaf on wood more realistic compared to Cimabue's Madonna Enthroned |
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Giotto
Lamentation (Arenal Chapel Cycle) Proto-ren. fresco wall painting linear perspective leads the viewer eye toward Jesus |
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Giotto
Last Judgment (Arenal Chapel Cycle) Proto-ren. fresco wall painting art financer painted at middle bottom |
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Giotto
Justice & Injustice (Arenal Chapel Cycle) Proto-ren. fresco wall painting figures drawn in space |
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Duccio
Betrayal of Jesus (Maesta) Proto-ren. tempera and gold leaf on wood staff and weapons all stick straight, not realistic |
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Lorenzetti
Allegory of Good Government Proto-ren. fresco painted in Siena's city hall |
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Martini
Annunciation Proto-ren. tempera and gold leaf on wood Lippo Memmi (Martini's student at the time) helped paint |
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Ghiberti
Sacrifice of Isaac early ren. gilded bronze won the baptistery contest to carve bronze doors |
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Brunelleschi
Sacrifice of Isaac early ren. gilded bronze Isaac is more vulnerable |
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Brunelleschi
Hospital of the Innocents early ren. architecture often called the first renaissance building |