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Masaccio, Tribute Money, 1420, Branacci Chapel
diff from international gothic- clear and integrated with setting, beliavable space, new system of realism |
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Masaccio, Holy Trinity, 1427, Santa Maria Novella
1st surviving painting w convergence of a single point perspective, logical and mathematics, one of massacios most mature paintings. puts viewer in the plain. |
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Lorenzo Ghiberti, St John the Baptist, 1405-17,
Orsanmichele, Florence
Gothic style- body's arch, drapery, commisioned by Arte di Calimala- importers of wool and luxuries |
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Doatello, St.Mark. 1411-16,
Orsanmichele, Florence
Contrast to St. John by Ghiberti- realistic, natural drapery showing figure beneath CONTRAPOSTO |
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Donatello, St. George, 1420,
Orsanmichele, Florence
realistic- experiencing fear, advertised armor from guild, light in retina-eye is supreme |
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Brunelleschi, San Lorenzo, 1425-1470 Florence
Not Gothic- Classical, columns and arched arcade- Cosimo de'Medici |
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Donatello, Equestrian Monument of Gattamelata, 1445-53, Piazza del Santo, Padua
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Donatello, Miracle of the Believing Donkey , 1444-1449, Sant' Antonio, Padua
egs of perspective in arches found outside Florence. |
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Donatello, St.Anthony of Padua Healing the Wrathful Son, 1444-49,
Sant' Antonio, Padua.
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Mantegna, St James led to execution, 1454-57, Padua
Donatello's spread of growth- use of perspective |
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Donatello, Judith and Holofernes, 1446-1460
seen from all angles, fountain spout for wine |
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Donatello, Martyrdom of St Lawrence, pulpit San Lorenzo, 1460
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Donatello, lamentation, pulpit San Lorenzo, 1460
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Gozzoli, Procession of the Magi, 1459
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Pollaiuolo, Hercules and hydra, 1460
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