Front | Back |
A cappella
|
Choral music performed without instrumental accompaniment eg: haec dies (anonymous) - o mitissima/virgo/haec dies (anonymous)
|
Countertenor
|
Male that sings alto/soprano
|
Drone
|
Sustained sounding of one or several tones for harmonic support, a common feature of some folk musicseg: royal estampie no.4, anonymous
|
Name the five parts of the mass ordinary//what is the mass ordinary
|
Kyrie, gloria, credo, sanctus, agnus dei// fixed portion of the Mass that was sung dailyeg: gloria, from the pope marcellus mass, palestrina
|
Mass proper
|
Varies day to day throughout church year, depending on the feast being celebrated
|
Modes
|
Scale of sequence of notes used as the basis for a composition; major and minor are modeseg. medieval music = modal harmonies
|
Neumes
|
Early musical notations signs; square notes on a four-line staff
|
Text settings: syllabic, neumatic, melismatic
|
Syllabic- one note sung to each syllable of textneumatic: generally with groups of two to four notes sung to a syllablemelismatic: long groups of notes set to a single syllable of text
|
Monophonic
|
Single-line texture, or melody without accompaniment eg. gregorian chant
|
Polyphonic
|
Two or more melodic lines combined into a multi-voiced texture, as distinct as monophonic.eg. organum, motet
|
Pope Gregory I
|
(c.540-604) Real pope from 590. Fostered the development of liturgical music. Organized and promoted chant, his name is given to the plain chant, therefore Gregorian Chant.
|
Liber usualis
|
The Liber Usualis is a book of commonly-used Gregorian Chants compiled by the monks of the Abbey of Solesmes in France.
|
Musica enchiriadis
|
Anonymous 9th century treatise that contains the earliest written polyphony in western music.
|
Hildegard von Bingen
|
Chant composer (1098-1179)
|
Notre Dame School
|
Composition school; artists working in a particular place who have a common vision.Notre dame cathedral, is situated in paris.
|