Front | Back |
Angle of Framing
|
The position of the frame in relation to the subject it shows: above it, looking down (high angle); horizontal, on the same level (a straight-on angle); looking up (a low angle). Also called camera angle.
|
Axis of Action
|
In the continuity editing system, the imaginary line that passes from side to side through the main actors, defining the spatial relations. Also called the 180 degree line.
|
Canted Framing
|
A view in which the frame is not level; either the right or the left side is lower than the other, causing objects in the scene to appear slanted out of an upright position.
|
Cheat Cut
|
In the continuity editing system, a cut that presents continuous time from shot to shot but that mismatches the positions of figures or objects.
|
Cinematography
|
A general term for all the manipulations of the film strip by the camera in the shooting phase and by the laboratory in the developing phase.
|
Close-up
|
A framing in which the scale of the object shown is relatively large; most commonly a person's head seen form the neck up, or an object of a comparable size that fills most of the screen.
|
Closure
|
The degree to which the ending of a narrative film reveals the effects of all the causal events and resolves all lines of action.
|
Continuity editing
|
A system of cutting to maintain continuous and clear narrative action. It relies on matching screen direction, position, and temporal relations from shot to shot.
|
Crane shot
|
A shot with a change in framing accomplished by placing the camera above the subject and moving through the air in any direction.
|
Crosscutting
|
Editing that alternates shots of two or more lines of action occurring in different places, usually simultaneously.
|
Cut
|
In filmmaking, the joining of two strips of film together with a splice. In the finished film, an instantaneous change from one framing to another.
|
Cut-in
|
An instantaneous shift from a distant framing to a closer view of some portion of the same space.
|
Deep focus
|
A use of the camera lens and lighting that keeps objects in both close and distant planes in sharp focus.
|
Deep space
|
An arrangement of mise-en-scene elements so that there is a considerable distance between the plane closest to the camera and the one farthest away. Any or all of these planes may be in focus.
|
Diegetic sound
|
Any voice, musical passage, or sound effect presented as originating rom a source within the film's world.
|