Italian Cinema Film Terms

Italian 2053: Sex & Politics in Italian Cinema

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Angle of Framing
The position of the frame in relation to the subject it shows: above it, looking down (high angle); horizontal, on the same level (a straight-on angle); looking up (a low angle). Also called camera angle.
Axis of Action
In the continuity editing system, the imaginary line that passes from side to side through the main actors, defining the spatial relations. Also called the 180 degree line.
Canted Framing
A view in which the frame is not level; either the right or the left side is lower than the other, causing objects in the scene to appear slanted out of an upright position.
Cheat Cut
In the continuity editing system, a cut that presents continuous time from shot to shot but that mismatches the positions of figures or objects.
Cinematography
A general term for all the manipulations of the film strip by the camera in the shooting phase and by the laboratory in the developing phase.
Close-up
A framing in which the scale of the object shown is relatively large; most commonly a person's head seen form the neck up, or an object of a comparable size that fills most of the screen.
Closure
The degree to which the ending of a narrative film reveals the effects of all the causal events and resolves all lines of action.
Continuity editing
A system of cutting to maintain continuous and clear narrative action. It relies on matching screen direction, position, and temporal relations from shot to shot.
Crane shot
A shot with a change in framing accomplished by placing the camera above the subject and moving through the air in any direction.
Crosscutting
Editing that alternates shots of two or more lines of action occurring in different places, usually simultaneously.
Cut
In filmmaking, the joining of two strips of film together with a splice. In the finished film, an instantaneous change from one framing to another.
Cut-in
An instantaneous shift from a distant framing to a closer view of some portion of the same space.
Deep focus
A use of the camera lens and lighting that keeps objects in both close and distant planes in sharp focus.
Deep space
An arrangement of mise-en-scene elements so that there is a considerable distance between the plane closest to the camera and the one farthest away. Any or all of these planes may be in focus.
Diegetic sound
Any voice, musical passage, or sound effect presented as originating rom a source within the film's world.