Intro to Music Test One

Music intro c lass fir

58 cards   |   Total Attempts: 188
  

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Cards In This Set

Front Back
Ars Nova
Changes in musical style in the 14th century were so profound that music theorists referred to Italian and French music as the new art. Syncopation being used, important rhythmic practice.
Ballata
In Medieval music, an italian poetic and musical form with the structure A BB AA
Cantus Firmus
Melody-often a gregorian chant- used as the basis of a polyphonic composition.
Estampie
A medieval dance, is one of the earliest surviving forms of instrumental music.
Gregorian Chant
Melodies set to sacred latin texts, sung without accompaniment.
Mass
Sacred choral composition made up of 5 sections: Kyrie, Gloria, Credo, Sanctus, and Angus Dei
Notre Dame School
Leonin and Perotin, developed rhythmic innovations. Used measured rhythm for the first time notation indicated precise rhythms as well as pitches. The University of Paris, cathedral of Notre Dame.
Organum
Medieval polyphony that consists of Gregorian chant and one or more additional melodic lines.
Troubadours and Trouveres
Nobles. First large body of secular sungs surviving in decipherable notation were composed during the 12th and 13th centuries.
A Cappella
Choral music without instrumental accompaniment
Ballett
Dancelike song for several voices, mostly homophonic in texture, with the melody in the highest voice and the syllables fa-la.
Lute
Plucked string instrument shaped like half a pear; used in Renaissance and baroque music.
Madrigal
Composition for several voices set to a short secular poem, usually about love, combining homophonic and polyphonic textures and often using word painting; common in renaissance music
Motet
Polyphonic choral work set to a sacred latin text other than that of the mass; one of the two main forms of sacred renaissance music.
Pavane and Galliard
Court dances were often performed in pairs. A favorite par was the stately pavane, or passamezzo, in duple meter, and the lively galliard, in triple meter.