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Ars Nova
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Changes in musical style in the 14th century were so profound that music theorists referred to Italian and French music as the new art. Syncopation being used, important rhythmic practice.
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Ballata
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In Medieval music, an italian poetic and musical form with the structure A BB AA
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Cantus Firmus
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Melody-often a gregorian chant- used as the basis of a polyphonic composition.
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Estampie
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A medieval dance, is one of the earliest surviving forms of instrumental music.
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Gregorian Chant
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Melodies set to sacred latin texts, sung without accompaniment.
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Mass
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Sacred choral composition made up of 5 sections: Kyrie, Gloria, Credo, Sanctus, and Angus Dei
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Notre Dame School
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Leonin and Perotin, developed rhythmic innovations. Used measured rhythm for the first time notation indicated precise rhythms as well as pitches. The University of Paris, cathedral of Notre Dame.
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Organum
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Medieval polyphony that consists of Gregorian chant and one or more additional melodic lines.
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Troubadours and Trouveres
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Nobles. First large body of secular sungs surviving in decipherable notation were composed during the 12th and 13th centuries.
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A Cappella
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Choral music without instrumental accompaniment
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Ballett
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Dancelike song for several voices, mostly homophonic in texture, with the melody in the highest voice and the syllables fa-la.
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Lute
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Plucked string instrument shaped like half a pear; used in Renaissance and baroque music.
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Madrigal
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Composition for several voices set to a short secular poem, usually about love, combining homophonic and polyphonic textures and often using word painting; common in renaissance music
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Motet
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Polyphonic choral work set to a sacred latin text other than that of the mass; one of the two main forms of sacred renaissance music.
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Pavane and Galliard
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Court dances were often performed in pairs. A favorite par was the stately pavane, or passamezzo, in duple meter, and the lively galliard, in triple meter.
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