haaaaan

Anavysos Kouros, from Anavysos, Attica. 530 BC. Marble.Inscription: stay and mourn at the moment of dead Kroisos who raging Ares slew as he fought in the front ranks"2nd person imperative, tries to engage the viewer-is softer and more naturalistic and lifelike than NY or Tenea but still with Archaic traits-front curls, subtle curve of eyebrows, smile are archaic, but the torso is less exaggerated, it has a more 3D surface modelling, a higher WHR, arms are no longer completely attached to sides, fuller legs and buttocks-funerary-no strong central line like NY

Getty Kouros, 530 BC or modern forgery, ages bottom up (new feet old hair)

Tenea Kouros 560 BC Corinth, Anavysos (Kroisos) 530 BC, Getty

Dedications (votive)-7th c grave markers (funerary) - mid 6th C Acropolis Korai - later 6th C-early 5th C *drapery

Berlin Kore (Attic) 570 BC Marblegravemarker, torso all about drapery and folds, holds pomegranate, gestures to breast w/ other hand very frontal, symmetric, archaic smile, hat of divinity and the pomegranate recalls Persephone

Phrasikleia 540 BC Attica marble, quintessential mid 6th c Kore funerary marker. inscribed: the marker of Phrasikleia. Forever shall i be called "maiden" (kore), the gods having granted me this instead of marriage. Aristion of Paros made it. She has an archaic smile and a lotus crown and was painted. sena=sign (of divinity, kept in tomb so they can inhabit it, a vehicle for the spirit), it is talking, animate. presentification=making something absent present.

Peplos Kore from Athens 530 BC Old fashioned, Parian Marblematronly clothes, not fashionable. (Athena?) curls, softer facial features than Phrasikleia (general transition to less angular forms) . 3/4 of strands over shoulder is a late kore attribute. Her face is like Anavyssos Kouros. pierced ears.

Antenor Kore (Kore 681) 520 BCDedicated by Nearchos, signed by Antenor as artist. elevated base. lifts chiton to show leg contour (left fwd?) sculptors respected, but Nearchos was a potter of ambiguous status. dedicated it from the first fruits to Athena. aparche=first fruits... get $, make dedication to god. shows means not religiosity, a status symbol. at least 400 of these on the Acropolis. Metal stick on head for helmet of Athena?

Kore, no. 682, from Acropolis Athens, 520 BC. Marble. Chiton (skirt) and Himation. see leg through garment (erotic) 1 hand holds up chiton, other the offering

Kore 675 Acropolis, Athens, 520 BC, marble. pulling skirt (drapery play, movement) pigment remnants show original scheme

Euphronios (potter) and Onesimos (painter) 500 BC RF tech allows display of complex drapery. decorative edge. female nudity not a thing, drapery sensual. clothes=status. also, women wove. ex// Penelope, queen of Ithaca who wove funerary shroud for Odysseus' father then undid it each night till her husband returned. metaphor for craft, cunning, and intelligence. Also tied to Ariadne and the string and Athena and her peplos.

Moscophoros (calfbearer) from Athens 560 BC marble a variation of a kouros, going to Acropolis to sacrifice the calf (votive dedication) -offering holding an offering, eternal. schematic revealing drapery, signalled, but not naturally present.

Rampin Rider, Athenian Acropolis 550 BC riding horse, head slightly turned, looks like NY but with short hair. Traditional small waist and torso and 2D anatomy debated id, diascuroi? celery wreath=victor of isthmian or Nemean games? another kouros variation.

Transition from late 6th C to early 5th C called Greek or Classical Revolution, just a sculptural phenomenon. 480 BC around time of Persian War.

Pioneer Group 515-500 Euphronios & Euthrymides this is Revelers 510-500 BC Attic Red-Figure Amphora "As Never Euphronios" (motion and various poses) vases reflect monumental painting not preserved. RF invented around 515-510... ability to render motion, anatomy