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Collage on paper |
The "Duchampian" Tradition and Pop
This is Tomorrow Exhibition, Whitechapel Gallery, London Group Two Installation. Hamilton, Just what is it that makes today's homes so different so appealing?, 1956 |
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The "Duchampian" Tradition and Pop
This is Tomorrow Exhibition, Whitechapel Gallery, London Group Six Installation. Henderson, Head of a Man, 1956 |
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The "Duchampian" Tradition and Pop
Kaprow, Household, 1964.Happening. |
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Minimalism and Process Art
Robert Morris, Untitled, 1969 |
Encaustic, oil and collage on fabric on plywood |
The "Duchampian" Tradition and Pop
Johns, Flag, 1954-55 |
Assemblage, encaustic on newspaper and cloth over canvas with plaster faces |
The "Duchampian" Tradition and Pop
Johns, Target with Four Faces, 1955 |
Oil on canvas |
The "Duchampian" Tradition and Pop
Johns, Periscope (Hart Crane), 1963 |
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Minimalism and Process art
Judd, Untitled,1963 Judd, Untitled, 1967 The space in between the units are as wide as the thickness of a unit |
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The "Duchampian" Tradition and Pop
Rauschenberg, Monogram, 1955-59 |
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Minimalism and Process art
Morris, Green Gallery Installation, 1965 Morris,Untitled (Table), Untitled (Corner Beam), Untitled (Floor Beam), Untitled (Corner Piece), and Untitled (Cloud), 1965 |
Oil, ink, on paper in book |
The "Duchampian" Tradition and Pop
Debord and Jorn, Mémoires, 1959 |
Psycho-geographical map on paper |
The "Duchampian" Tradition and Pop
Debord, The Naked City, 1957 |
"Draw a straight line"
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The "Duchampian" Tradition and Pop
Young, Composition 1960 #10 to Bob Morris, 1960 |
"Open and close a Piano without making any noise"
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The "Duchampian" Tradition and Pop
Young, Piano Piece for David Tudor #2, 1960 |
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Minimalism and Process art
Serra, Splashing, 1968 |