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Let dangers go, they war shall be with me,
But such a war as breaks no bond of peace. Speak thou fair words, I'll cross them with fair words; Send thou sweet looks, I'll meet them with sweet looks; Write loving lines, I'll answer loving lines; Give me a kiss, I'll countercheck thy kiss. Be this our warring peace, or peaceful war. |
Kyd, Spanish Tragedy, Bel-Imperia speaking in Act 2, scene ii
• First time we see revenge NOT in Bel-Imperia’s thoughts • Note Kyd’s language, interesting oxymoron between peace and war, suggesting that love solves the problem of war? |
Thou talk’st of harvest when the corn is green.
The end is crown of every work well done; The sickle comes not till the corn be ripe. Be still, and ere I lead thee from this place I’ll show thee Balthazar in heavy case. |
Kyd, Spanish Tragedy, Revenge speaking in Act 2, scene vi
• Ag metaphors---lower class, yeahhh. • Revenge is explaining to Andreas that biding time is necessary and beneficial |
But alas, destiny alloweth no dispute. Die, Hebe, Hebe, die.
Woeful Hebe, and only accursed Hebe! Farwell the sweet delights of life, and welcome now the bitter pangs of death. |
Lyly, Galatea, Hebe speaking in Act 5, scene ii
• Interesting realization that you cannot question destiny • Hebe is so dramatic and over the top, and though she is not the “fairest” of the girls she is welcoming death |
From my embracements thus he breaks away;
Oh that mine arms could close this isle about, That I might pull him to me where I would, Or that these tears that drizzle from mine eyes Had power to mollify his stony heart That, when I had him, we might never part. |
Marlowe, Edward the Second, Isabella speaking in Act 2, scene iv
• Isabella is at first very upset… then she becomes angry and resentful • Foreshadows how she will plot to get back at her husband |
Base fortune, now I see that in thy wheel
There is a point to which, when men aspire, They tumble headlong down. |
Marlowe, Edward the Second, Mortimer Junior speaking in Act 5, scene vi
• Interesting image with Fortune’s wheel but Fortune’s wheel turns on its own accord and Mortimer is suggesting that his aspirations turned the wheel • realization that high aspirations return to low status |
Dost though not know that love respects no blood,
Cares not for difference of birth or state? |
Dekker, The Shoemaker’s Holiday, King speaking in scene xxi
• so true, really made me think about boundaries of love • reinforcing the carnival upturning class system |
A botcher, and no better at the first,
Who by base brokage getting some small stock, Crept into service of a nobleman, And by his servile flattery and fawning Is now become the steward of his house, And bravely jets it in his silken gown. |
Anon, Arden of Faversham, Arden speaking in scene 1
• notice Arden’s infatuation with class system • really explains what Arden values most, not his wife cheating, but how the man measures up |
What, groans thou? Nay then, give me the weapon.
Take this for hind’ring Mosby’s love and mind. |
Anon, Arden of Faversham, Alice speaking in scene xiv
• Alice, female, finishes the job • Maybe her problems are not with her husband, just men in general |
Is it not passing brave to be a king,
And ride in triumph though Persepolis? |
Marlowe, Tamburlaine the Great, Tamburlaine speaking in Act 2, scene 5
• Language meets finally action • Tamburlaine realizes that his actions are greater than bravery |
For I, the chiefest lamp of all the earth,
First rising in the east with mild aspect But fixed now in the meridian line, Will send up fire to your turning spheres And cause the sun to borrow light of you. |
Marlow, Tamburlaine the Great, Tamburlaine speaking in Act 4, scene ii
• Tamburlaine finally knows what he wants to do • He is stationary for the first time |
O miserable and distressed Queen!
Would, when I left sweet France, and was embarked, That charming Circe, walking on the waves, Had changed my shape, or at the marriage day The cup of Hymen had been full of poison, Or with those arms, that twined about my neck I had been stifled, and not lived to see The King my lord thus to abandon me! Like frantic Juno will I fill the earth With ghastly murmur of my sighs and cries; For never doted Jove on Ganymede So much as he on cursed Gaveston: But that will more exasperate his wrath; I must entreat him, I must speak him fair, And be a means to call home Gaveston: And yet he'll ever dote on Gaveston; And so am I for ever miserable. |
-Edward II, Isabella, Act I. iv. (170-186)
-Shows her distress at Edward’s activities and how Edward feels about Gaveston
-Isabella cannot be happy while Edward devotes all his time to Gaveston
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Curse thy birth, thy life, thy death, being born to live in danger, and having lived, to die by deceit.
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-Galatea, Hebe, Act V. ii. (10-11)
-Over the top protest against social context, she only comes to this point by deceit
-This is not her destiny but by necessity, Hebe is put in this situation by her context
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But how unseemly is it for my sex,
My discipline of arms and chivalry, My nature, and the terror of my name, To harbour thoughts effeminate and faint! Save only that in beauty's just applause, With whose instinct the soul of man is touch'd; And every warrior that is rapt with love Of fame, of valour, and of victory, Must needs have beauty beat on his conceits: I thus conceiving, and subduing both, That which hath stoop'd the chiefest of the gods, Even from the fiery-spangled veil of heaven, To feel the lovely warmth of shepherds' flames, And mask in cottages of strowed reeds, Shall give the world to note, for all my birth, That virtue solely is the sum of glory, And fashions men with true nobility. |
-Tamburlaine, Tamburlaine, Act V. i. (174-190)
- What is beauty but suffering?
-Beauty and fame leads them to acts to gain ‘beauty’s just applause’
-Does this mean that might means right? That virtue is power and the end all?
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Do, and one day I'll make amends for all.
I know he loves me well, but dares not come
Because my husband is so jealous,
And these my narrow-prying neighbours blab,
Hinder our meetings when we would confer.
But, if I live, that block shall be removed,
And, Mosby, thou that comes to me by stealth,
Shalt neither fear the biting speech of men
Nor Arden's looks. As surely shall he die
As I abhor him and love only thee
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-Arden of Faversham, Alice, Act I.i. (132-141).
-Shows her plot to kill her husband in favor of her lover
-She is the driving force of the action in the play by having a plan to kill her husband
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Fie on sinful fantasy!
Fie on lust and luxury! Lust is but a bloody fire, Kindled with unchaste desire, Fed in heart, whose flames aspire, As thoughts do blow them, higher and higher. Pinch him, fairies, mutually, Pinch him for his villainy. Pinch him, and burn him, and turn him about, Till candles and starlight and moonshine be out |
- The Merry Wives of Windsor, Faeries to Falstaff, Act V.v. (92-101)
- Where the wives trick Falstaff into coming to the fairy revelry
- The tricks actually belie the horrid nature of what they are doing to him which is quite frightening
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