Chapter 20: Musical Taste and Style in the Enlightenment

Based on Chapter 20 of A History of Western Music

29 cards   |   Total Attempts: 188
  

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Cards In This Set

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The new musical language of the mid-eighteenth century is described as using light accompaniment for melodies based on what 2 things?
Songful and periodic melodies
In what particular genre did this new musical language develop?
Vocal music, particularly in comic opera
According to the text, it met a growing demand for music that was what?
Natural, expressive, and immediately appealing to a variety of listeners
What was the broad intellectual movement that dominated this period and what were its three central themes?
Reason, nature and progress
What two countries/ regions would see important political revolutions by the end of the eighteenth century?
America and France
In this new age, how did the urban middle class and the landed aristocrats fare, respectively?
Middle class rose in numbers, wealth and social prominence while the upper class lost significant power
What happened to the previous musical situation in which a variety of national styles arose in the Baroque period and why?
They took the best of all styles and combined them together to my one European style. Music change was to reflect the new international law.
Belief shifted from church law to what kind of new law?
Natural law
What were philosophers like Voltaire and Rousseau really focused on rather than philosophy?
Social reform
What two goals are listed for the Freemason movement?
Humanitarian ideals and a longing for universal brotherhood
Which two classical composers are noted as being Masons?
Mozart and Haydn
What four institutions or sources are listed as the main sponsors/ patrons of music during this time?
City governments, courts, the public and the church
In image 20.3, what two visual clues suggest that the performers are skilled amateurs rather than professionals?
A woman at the keyboard and the similarity of dress and wig between musicians and listeners
What new interest did the print works of Burney, Hawkins and Forkel seek to satisfy?
Music history
Generally, how did the new age feel about the contrapuntal complexities of late Baroque music such as composed by J.S. Bach?
It wasn't universal or easily understood