Art History (first Half)

Francesco Petrarca, Dante Alighieri, and Giovanni Boccaccio were all leading __________ in fourteenth-century Europe.

Sienese painting is particularly associated with the continued influence of __________ traditions.

The terms giornata, sinopia, and intonaco all refer to the art of creating a __________.

The city of __________ was a direct rival with Siena.

Scrovegni was guilty of the sin of usury—the sin of charging interest—so as a sign of penitence to the Church he commissioned __________.

__________ is an example of an artwork that possibly demonstrates stylistic changes owing to Black Death.

Although Giotto di Bondone was trained in the Florentine tradition, many of his principal works were produced elsewhere, such as the frescoes for the Arena Chapel, located in __________.

The recipient of the prestigious commission to make gilded bronze doors for the Florence Baptistery of San Giovanni was __________.

__________ arches are defined by an S-shape.

At the beginning of the fourteenth century, the royal court in __________ was the arbiter of taste in Western Europe.

Begun in 1313, the Exeter Cathedral was constructed around an original __________ building, some of which was incorporated into the new edifice.

Brackets that project from a wall are called __________.

Heinrich Parler, a former master of works on the __________ Cathedral, designed the church of the Holy Cross in Schwäbisch Gmünd.

A(n) __________ is a covered open-air corridor.

Fourteenth-century _________ sculpture is intimate, with religious objects becoming more emotionally expressive and smaller, demanding close scrutiny.