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Cards In This Set
| Front | Back |
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How is David indebted to
Poussin?
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B. a return interest in religious iconography
|
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On what kind of
architectural structure does Soufflot model the colonnade of Pantheon?
|
D. Roman temples
|
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How does Gericault depart from the lessons of his teacher’s
teacher, Jacques Louis David?
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Romantic form and subject matter
|
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How does Gericault adhere
to the lessons of his teacher’s teacher, Jacques Louis David?
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The use of contemporary events as iconographic subject matter
|
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Which of the following make
Gericault a true Romantic?
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A. an interest in the macabre, the dark, the dramatic
|
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What do some Neoclassical
painters and Romantic painters have in common?
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A. an interest in Orientalist themes, such as the Harem
|
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Why is Ingres critical of
David?
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Because of David’s use of classicism to politically address contemporary
politics
|
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Ingres’s Grande Odalisque 1814 is a
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French aristocrat lounging on a neo-classical settee
|
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Orientalism is
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A term to objectively describe the people in the East, with whom the
French were increasingly interfacing, way of life.
|
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The shift from Oath of the Horatii 1784 to Rape of the Sabine Women 1799 describes
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David’s evolving attitudes toward the unfolding of the events if the
French Revolution
|
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Which of the following
movements celebrated horror, monstrosity, and the macabre?
|
Romanticism
|
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Goya’s Los Caprichos is
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A comment on the Enlightenment
|
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Francisco Goya, Autumn or The
Vintage, 1786-7
|
Depicts critically the dependency and reliance of the aristocracy on the
peasantry which it ruled
|
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Eugène Delacroix, Death of Sardanapalus, 1827
|
Evidences the formal qualities of Romanticism
|
|
Eugène Delacroix, Death of Sardanapalus, 1827 has in
common with Jean Auguste Dominique
|
An interest in Orientalist themes
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