Front | Back |
Name and Date |
Lyle Ashton Harris, Billie #11, 2002
|
Name and Date |
Lyle Ashton Harris, Memoirs of Hadrian # 3, 2002
|
Name and Date |
Betye Saar, The Liberation of Aunt Jemima, 1972
|
Name and Date |
Kara Walker, You Do, 1993
|
Name and Date |
Kara Walker, African/American, 1998
|
Name and Date |
Kara Walker, Darkytown Rebellion, 2001
|
Name and Date |
James Luna, Artifact Piece, 1987, 92
|
Name and Date |
Jimmie Durham, Pocahontas's Underwear, 1985
|
Name and Date |
Jaune Quick-to-see-Smith, Trade, Mixed media, 1992
|
Name and Date |
Jaune Quick-to-see-SmithBarbie Plenty Horses and Ken Plenty Horses fromPaper Dolls for a Post Columbian World, 1991(Matching Small Pox Suits for All Indian Families after U.S. Government Send Wagon Loads of Smallpox Infested Blankets to keep our Families Warm, 1991)
|
Name and Date |
Jaune Quick-to-see-Smith, The Red Mean: Self Portrait, 1992.
|
Name and Date |
Rebecca Belmore, Fringe, 2008
|
Name and Date |
Robert Mapplethorpe, Thomas in a Circle, 1987
|
Name and Date |
Robert Mapplethorpe, Ken Moody and Robert Sherman, 1984
|
Name and Date |
Robert Mapplethorpe, Helmut, from the X Portfolio, 1978
|