Front | Back |
.
|
Broederlam, Retable de Champmol, Annunciation,Visitation, Presentation & Flight,1399. One of the 1st Oil painters
|
. |
*Master of Flemalle (Robert Campin), Merodetryptych*, 1425. Patrons = Inglebrects
|
. |
*Jan Van Eyck* Giovanni Arnolfini & HisBride, Giovanna Cenami, 1434
|
. |
*Rogier van der Weyden*, Deposition, 1435
|
. |
*Hugo van der Goes*, Portinari Altarpiece, 1476
|
. |
*Bosch*, Garden of Earthly Delights, 1505-10
|
. |
Durer, Fall of Man, 1504
|
.
|
Durer, Four “Apostles” 1526
|
. |
Hans Holbien the Younger. French Ambassadors,1533
|
. |
Bruegel: Hunters in Snow,1565
|
. |
El Greco:Burial of Count Orgaz,
|
. |
Aertsen, Meat Stall Still-Life, 1551
|
Industrial Revolution introduces new buildingmaterials: Cast Iron (poured), Wrought Iron(forged) and Steel (metal alloy or iron mixture);steel is strongest.• Iron & steel allow for bigger, taller buildings &more glass.• At first, architects mask the structural skeletons oftheir buildings, but that will slowly evolve.
|
Modern Architecture (1800s)
|
. |
Joseph Paxton, Crystal PalaceDesigned for Great Exhibition, 1851
|
. |
Henry Hobson Richardson:Marshall Field’s, Chicago, 1887
|