Front | Back |
"The objective of African music is to translate everyday experiences into musical sound"
|
Frances Beby
|
Functional purposes of African-American music
|
Rites of passage, worship, symbolic religious meanings, therapy, entertainment, homage, criticism, work song, social control, history, education, dance, drama
|
Syncretism
|
Fusion of religions of different origins in order to create a new religion
|
Griot
|
History singsrole passed from father to son
|
Membranophones
|
Membrane, drums, friction drum
|
Aerophones
|
Column of air: flute, trumpet, reed
|
Chordophones
|
String. Lutes: neck, guitar. Lyres. Harps: arm. Zithers: full length
|
Idophones
|
Self-sounding, entire body vibrates to produce sound, rattles, xylophone, hand piano
|
Types of ensembles
|
Duo, trio, homogenous, heterogenous, played with or without voice (voice serves as an accompaniment to instruments) handclapping, stomping
|
Polyphony
|
Two or more melodies played together
|
Polyrhythms
|
Two or more rhythms played together
|
Hocket technique
|
Since some trumpets can only play one or two notes, in order to create melody, the instrument only plays at the same time its note fits in the melody
|
"Talking" instruments
|
Chordophone: musical bow. played with stick, gourd, or cavity of mouth as a resonator. African languages are "tonal" meaning that inflections and pitch determine meaning
|
Call and response
|
Performers and audience, two performers, instrument and voice, instrument and instrument
|
Candomble
|
Afro-Brazilian religon resulted from religious practices Africans brought to brazil. Music and Dance. Get possessed by African deities.
|