AD 227 Exam 1

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Bailey, Self-portrait with Vanitas Symbols, 1651 -Transient Symbols within image -skull, death -hourglass -flowers -pearls

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Audrey Flack, Wheel of Fortune, 1977 -still life -individual symbolism -painted work = massive size -transient symbols -burning candle -grapes -hourglass (passing of time) -mirror (vanity -makeup, lipstick -calendar -taret card -dice

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Durer, Four Horsemen of the Apocalypse 1948 -death, war, famine, pestilence

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Delacroix, Liberty Leading the People 1830 -personification of liberty

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Man in the Golden Helmet

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Rembrandt, Polish Rider 1655

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Ghent Altarpiece, Jan Van Eyck, 1432

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Ingres, Portrait of Napoleon on his Imperial Throne, 1806

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Nicola Pisano, Pulpit of the Baptistery, Pisa, Italy 1259-1260 -Byzantine and classical worlds in art and architecture -arches = medieval tradition -religious symbolism -references from roman antiquity

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Sarcophagus of a Philosopher ca. 270-280 ce

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} Giovanni Pisano, Annunciation, Nativity and Adoration of the Shepherds -more "international style" -more delicate features -gothic influence

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Bonaventura Berlinghieri, Panel from the Saint Francis Altar Piece -very flat -figures in the air -interest in making subjects appear holy

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Facade of Santa Maria Novella, Florence, Italy, 1246-1470-battista

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Cimabue, Madonna Enthroned With Angels and Prophets -meant as a devotional object -reminder of sacrifice -Byzantine influence. Gold background, flat

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} Simone Martini and Lippo Memmi, Annunciation, altarpiece -stolen by Florence from Siena during invasion -very decorative (colors, gold background)